1. |
seq
07:22
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2. |
aq
04:52
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3. |
june
03:09
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4. |
angelina
03:33
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5. |
curls
05:09
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6. |
january
07:20
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7. |
joe
06:14
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8. |
little
03:11
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9. |
may
02:49
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10. |
rosie
07:03
|
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supported by 14 fans who also own “MØF-004: Computer Music for Piano // Landon Peer”
Ross has expanded his compositional style and created his most song-like music. At the surface level this album sounds like mellow vaporwave with a bit of EDM thrown in, but Ross approaches it more like a classical composer. He gives you a strong thematic melody that you can sing along, and then he spends the rest of the track deconstructing it and subtracting it, leaving the listener guessing in a slight state of uneasy anticipation. Well done.
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MØF-002: 8 Songs about Absolutely Nothing
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Some of the best music released by a fish ever
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These are the premium arts
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Pull the Rope
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Your Day Will Come
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Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop.
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Composer, producer, and Folly Group co-leader Laggard salutes early industrial and grime through a hard-hitting, club-focused side project.
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MØF-001: Passive Aggression on the Internet
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I discovered Ross via his newest album 8 Songs About Absolutely Nothing. That album was beep-boop melodies that reminded me of Mark Mothersbaugh's soundtrack work. This album is much different. It's all beats and no melody. But the beats are fat and rhythmically complex. There's something sexy about this. Seriously, I think it would be good music to have sex to. Pay Ross his $5, and have fun trying it out. I intend to.
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